I just watched an exceptional episode of No Reservations where Bourdain makes his rounds in Brittany on the northwest coast of France, making a similar observation, most notably in the case of the fascinating and inspiring chef Olivier Roellinger, who returned his 3 Michelin stars to pursue something that mattered more to him: "a more fluid, accessible and natural experience." Aside from his ascent into becoming one of France's great chefs despite a really rough start (he was beaten, nearly to death, by a gang of several people when he was 21, was in a coma for a bit, then a wheelchair for 2 years, and only then got into the food business), which is amazing on its own, Roellinger's story sparks interest because he is a chef at the top of his game, and he chooses to step away from the stuffy environs of perfection, white linens, and plating things with tweezers, and move into a neighborhood of dirt, pigs, charcuterie from said pigs, bakeries and pastry shops, spice merchants, and above all else, an inn with gorgeous yet approachable food. Which begs the question: is something more beautiful because it is inaccessible (think Catherine Deneuve), or does beauty come from the every day realness of something (a wooden table, the sea). I suppose it's far too complex to answer that easily, but I suppose at this point, I would take a lovely plate of Roellinger's well-crafted charcuterie with the Big Cat over a fleeting chance to wash Catherine Deneuve's car given the choice.
Probably.
At any rate, the point here is that the inherent quality in something simply but lovingly crafted is always pleasurable. Last week, me and mine got hold of some very simple ingredients, and made a really great meal together--the kind of meal that, when created together, and the cooking is actually part of the event of the thing, is greater than the sum of its parts.
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